Interactive Still Life
Nature Morte Interactive


Interactive Installation, 2018-ongoing

“Unlike the mastering subject of geometrical perspective, the subject who encounters light is not in control.”
Prof. Ruth Iskin*



By allowing each of the elements of the Interactive Still Life to be a light source, Jeanne Bloch imagines a world freed from sujet-object relations - a world consisting only of subjects -, be they humans, objects, plant or animal. In contrast to a geometric perspective that gives sovereign power to the subject, her proposal explores a world without a focal point. This world includes visitor and conceives of light as a relational material.


Photo: Jeanne Bloch©



Interactive Still Life - Dossier



Musée des Arts et Métiers


“ Nuit des Idées”, Chaire arts & sciences, Institut français, Fondation Daniel et Nina Carasso, 2022



Video: Hélène Bozzi, Sound: François Piednoir, Jeanne Bloch




CHItaly, 2021, Frontiers of HCI (Human Computer Interactions)


Remote / Interactive Experience Exhibition


Presented simulaneously and in interaction in 3 spaces including online







104, Paris









Production

Contemporary Hope/Jeanne Bloch with the supports (residences, co-prods, studio loan) of 104, Shadok in Strasbourg, the Cité des Sciences (CN2), Centre National de la Danse, Pantin and of the Chaire arts & sciences of l’École Polytechnique, l’École nationale supérieure des Arts Décoratifs-PSL, la Fondation Daniel et Nina Carasso and of CRI Paris (Centre de Recherche Interdisciplinaire)


*In the Light of Images and the Shadow of Technology: Lacan, Photography and Subjectivity.” Discourse, vol. 19, no. 3, 1997, pp. 43–66. JSTOR, www.jstor.org/stable/4389457. Prof. Ruth E. Iskin, Ben-Gurion